layers of masks（火灾逃生方法（英语））

本文目录

• 火灾逃生方法（英语）
• 用英语讲讲四川的川剧
• 用英语讲讲四川的川剧 讲一些关于四川川剧的,出名的
• python TypeError: Expected int32, got list containing Tensors of type ’_Message’ instead.
• 何谓光罩

火灾逃生方法（英语）

Fire escape device
The fire escape knowledge first: familiar environment, markings export.
When you are in an unfamiliar environment, for their own safety, be sure to pay attention to evacuation passageway and safety and stairs orientation, fled the scene as soon as possible so that the critical time.
Second: the channel exit, unobstructed.
The staircase, passage, safe exit is the most important escape route in the event of a fire, should guarantee unimpeded, must not be the debris piled or set gates locked, so that the emergency can be safely and quickly passed.
Third: Fight a small fire, and the benefit of others.
Do not be alarmed when the event of a fire, if the fire is not large, and not yet posing a great threat to the people, when surrounded by adequate fire-fighting equipment such as fire extinguishers, fire hydrants, struggling small fire control, the fight; stricken barking scurry, set a small fire to the expense and create a catastrophe.
Fourth: keep calm, discernment direction, rapid withdrawal.
Suddenly encountered a fire, the face of heavy smoke and fire, the first to be compelled to remain calm, quickly determine dangerous place and a safe place to decide the way to escape as soon as possible to evacuate the danger.
Fifth: nothing of danger, not greedy for money matter.
At risk, should be evacuated as soon as possible, do not shy or take into account the valuables, and the escape time wasted looking for the move out of the valuables. Have fled to the woods the staff was not to return to the danger, the right time.
Second, the rapid withdrawal of the law.
Escape action is a race against time action. As soon as you hear the fire alarm or realize that they might be fireworks surrounded, do not hesitate to immediately ran out of the room, trying to escape, must not delay the escape opportunity. In 1989, Jilin Province Dongliao County had occurred in a young woman has to flee danger and return fire clothes, grab take property, leading to the tragedy of killed the scene of a fire. Generally speaking, the initial fire smoke less fire, as long as the rapid withdrawal is safe escape.
, Towels Protection Act.
The carbon monoxide produced in the fire in the air content is over 1.28%, can lead to suffocation and death within 1 to 3 minutes. The same time, the heat generated in the combustion air by inhalation, severe burns of the soft tissue of the respiratory system, serious can cause suffocation and death. The majority of personnel to escape through smoke-filled route to leave the danger zone. Escape instead. Multi-stacked layers of smoke filtration area increases to cover their nose and mouth strict. Difficulty in breathing, even through the smoke zone, nor can towel away from the goods nose. Can be used instead. Multi-stacked layers of smoke filtration area increases to cover their nose and mouth strict. Difficulty in breathing, even through the smoke zone, nor can towel away from the goods nose.
The towel soaked stacked up over his nose and mouth, anhydrous, dry towel. Around, such as towels, cloth napkins, masks, clothes

用英语讲讲四川的川剧

China has an abundance of 1,300 local operas,Sichuan opera is one of the China1s oldest local operas and is popular in Sichuan province and some regions of Yunnan and Guizhou provinces. It is the most significant and most interesting opera form from Southwestern China.As a stage entertain-ment,it conveys the idea of time and space to the audience through performances. the opera is characterized by its unique solo singing,refined acting,rich percussion and irresistibly funny come-dians,Sichuan opera also displays its unique skills: the changing faces, spitting fire, and rolling light. Numerous Sichuan opera troupes are active throughout the province, both in the countryside and in the cities.the troupes in Chengdu are rate artistically top level.
the face changing, or "bianlian" in Chinese,is an important intangible cultural heritage in China. only a few masters have grasped this skill. they know how to change Sichuan opera masks in magically quick succession.As they flourish their arms and twist their heads, their painted masks change again and again and again.
Face changing got its start 300 years ago. At the beginning opera masters changed the color of their face during performances by blowing into a bowl of red,black or gold powder. the powder would adhere to their oiled skin quickly. In another method ,actors would smear their faces with colored paste concealed in the palms of their hands.
By the 1920`s,opera masters began using layers of masks made of oiled paper or dried pig bladder. the masters could peel one after another in the blink of an eye.At present the masters use the full face,painted silk mask. they can be worn in layers, as much as two-dozen thick,and be pulled off one by one.

用英语讲讲四川的川剧 讲一些关于四川川剧的,出名的

China has an abundance of 1,300 local operas,Sichuan opera is one of the China1s oldest local operas and is popular in Sichuan province and some regions of Yunnan and Guizhou provinces.It is the most significant and most interesting opera form from Southwestern China.As a stage entertain-ment,it conveys the idea of time and space to the audience through performances.the opera is characterized by its unique solo singing,refined acting,rich percussion and irresistibly funny come-dians,Sichuan opera also displays its unique skills:the changing faces,spitting fire,and rolling light.Numerous Sichuan opera troupes are active throughout the province,both in the countryside and in the cities.the troupes in Chengdu are rate artistically top level.
the face changing,or "bianlian" in Chinese,is an important intangible cultural heritage in China.only a few masters have grasped this skill.they know how to change Sichuan opera masks in magically quick succession.As they flourish their arms and twist their heads,their painted masks change again and again and again.
Face changing got its start 300 years ago.At the beginning opera masters changed the color of their face during performances by blowing into a bowl of red,black or gold powder.the powder would adhere to their oiled skin quickly.In another method ,actors would smear their faces with colored paste concealed in the palms of their hands.
By the 1920`s,opera masters began using layers of masks made of oiled paper or dried pig bladder.the masters could peel one after another in the blink of an eye.At present the masters use the full face,painted silk mask.they can be worn in layers,as much as two-dozen thick,and be pulled off one by one.

python TypeError: Expected int32, got list containing Tensors of type ’_Message’ instead.

input_1 或 input_2的期望参数是int32类型，但传入的却是
’_Message’类型

何谓光罩

***隐藏网址***
光罩制作流程
首页 》 半导体/光电黄光设备 》 光罩 》 光罩制作流程
Design Rules for DXF Format
Basics:
送来的图档请包含以下资讯：
标示最小线宽(CD)及位置
说明或标示Clear / Dark
图形为Chrome DOWN或UP
图面位於光罩中心或偏心量
光罩名称(包含Device Name及Layer Name)若不指定， 则以档名及图层名称命名
Reminding ( 注意事项 )
以网路传档，最好先压缩以避免图档出错。
图形不能放在图层”0”。
图层命名不能用中文或特殊字元。
图层命名最长为8个字元。
图面单位需统一, 并告知单位为何 ?
必须为Pline、Circle或Text。
可用Pedit将复杂的形状连起来形成Pline。
最好使用无线宽的pline。
每一个图形最多只能有128,000个顶点。
图形本身不能交错。
不能有单独的线或点存在。
两个图形不能共用边界。
内圈图形必须完全被外圈图形包围。
有外包内的情形要切开，或者分成不同的图层。
清除所有不必要的图层、Block，以减少档案大小。
不同的光罩放在不同的图层。
图块(BLOCK)与图层名字不能相同。
不能从别的档案或图层插入图块。
不能使用、缩放(scale)或镜射(mirror) block。
旋转BLOCK必须为90°的整数倍。
若需使用有线宽的pline，同一条线线宽必须一致。
不能用Spline。
有线宽的pline不能封闭。
Text必须为标准形式(不能斜体)，只能用英文字母(大小写皆可)、阿拉伯数字、空白以及键盘上所有的符号。
Text最好放在不同图层。
Meet the Customer Requirement
Data Preparation
Mask Order Form
Data Format
Photomasks Orientation and Tone
Photomasks Orientation and Tone
Sometimes there will more than layer for a mask. You should do logical operations on structures from different layers.
Currently the operations CUT, OR and XOR are supported.
Design Rules for DXF(1)
DXF format is not WYSIWYG. One should be carefully to process DXF file.
All the entities must be “Closed” PLINE. (Fig. 1) .
Entity itself can not cross. (Fig. 2)
Design Rules for DXF(2) - Island
Method 1:
Use different layer for entity inside another
entity. (Fig. 3)
Method 2:
Draw two separated entity and connect
together (Fig. 4)
Method 3:
Draw into interior of the outer polygon and
out again via the same path. (Fig. 5)